In our workshop we pursue the goal of questioning
conventional ways of thinking and solutions by observing
nature and the holistic view of things and, if necessary,
finding more satisfying alternatives for us.
In the course of time, numerous ideas and new
developments in many areas of instrument making
have come into being.
Starting with the 'Neue Deutsche Klarinette (NDK)', a clarinet that features completely newmechanical and technical solutions as well as integrating a healthy physiology of the musician,through our 2-layer silicone quartz resonance pads (QRP) and the complementary leather padswith carbon fiber and silicone core (CfS) to the installation of grenadilla guides, bushing of thekeys and much more at repair and new construction.
All this is characterized by resonance optimization, an area in
which the diverse influences on the body vibration are examined
and possibilities for targeted manipulation were sought and found.
The new acoustic models based on vortex physics provide the
framework and the basis here.
Why is that important to us? The music is a wonderful
opportunity for us humans to express ourselves and
bring multicolored emotions to a wider audience in public.
The detour of this self-expression via a musical instrument
requires that the instrument subordinates itself without
resistance to the intentions of the musician, and that it
adapts to his creative will.
This starts with a feel-good ergonomics (which has an effect on the design of the ring keys) and finally
leads to the now indispensable sound enrichment as a result of a far-reaching instrument body.
Anyone who was able to feel which sonic potential in their own instrument can be awakened by simple
changes will irrevocably want to follow the path of the music becoming more and more free, be it in
classical music, folklore, klezmer, pop or jazz.